News

Alton Brown's vinegary wit

From The Times Union:

"I wanted to do a true variety show, just one that focuses all around food," Brown says, chatting on the phone from his home in Atlanta. It includes what he describes as two "really big, very impressive new food demos," one involving extreme cold, the other extreme heat; the puppets, science and skit humor of "Good Eats"; audience interaction; and original food-themed songs written by Brown, with titles such as "Airport Shrimp Blues" and "TV Cookin Ain't Like No Other Cookin."

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Daily Gazette—Hit musical ‘Wicked’ launched vocal dynamo Chenoweth to stardom

It’s been 10 years since Kristin Chenoweth dazzled Broadway audiences in “Wicked,” and told us how to be “Popular.”

Which is something she knows about. The diminutive but gifted singer and actress from Broken Arrow, Okla., has been about as busy as anyone in the entertainment industry lately. Sunday night at Proctors, she’ll be putting her vocal talents on display for Capital Region audiences in “An Evening With Kristin Chenoweth.”

“It will be a range of various types of musical genres including country, musical theater, Broadway and opera,” said Chenoweth, referring to her concert performance.“ Each performance is different, and the audience is a big part of that, so I try to interact with them as much as I can. The more they are enjoying the show, the more animated and interactive I am with them.”

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Chenoweth a regular girl with heart, voice—The Saratogian

Is there such a thing as being too diverse as an entertainer?
 
If so, put Kristin Chenoweth at the top of the list. Indeed, it impossible to exactly define what to expect from the gifted soprano at her one-person concert Sunday night at Proctors Theatre in Schenectady.

Chenoweth points out that she has a master’s degree in opera performance, but quickly adds that Dolly Parton, Loretta Lynn and Patsy Cline heavily influenced her musical tastes while growing up in Oklahoma. She promises, “You’ll hear glimpses of them” in her singing.

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New plays, comedies, musical favorites and Classics on Stage make for a diverse 2014-2015 season at Capital Repertory Theatre.

News Subject: 
theREP

Michael Bush and Kevin McGuire return to join Maggie Mancinelli-Cahill in the director’s chair.

ALBANY, N.Y.—Feb. 4, 2014—Today, Capital Repertory Theatre announces its 34th season, which balances world premieres and popular musicals with comedies and classics. Producing Artistic Director Maggie Mancinelli-Cahill says, “with this season we reaffirm our commitment to bringing new work to the stage, while not forgetting our ties to theatre history. I love music and I love literature, so bookending the slate with the musical fun of Smokey Joes Café and the serious drama of Hamlet makes perfect sense to me.”

“I’m especially excited that our NEXT ACT: New Play Summit has become a way to grow developing work, as well as a way to introduce our audience to new voices in the American theatre.”

They say the neon lights are bright on North Pearl Street, and Smokey Joe’s Café— The Songs Of Leiber & Stoller opens theREP’s 2014-2015 season (July 11–Aug. 10) with a dazzling selection of Brill Building pop, rock and R&B chestnuts. Tunes like “On Broadway,” “Hound Dog,” “Jailhouse Rock,” “Fools Fall In Love,” “Love Potion #9” and “Stand By Me” fueled the careers of The Drifters, Elvis Presley, The Coasters and Ben E. King, and have made Smokey Joe’s Café a perennial favorite and the longest-running revue in Broadway history.

Michael Bush (A Christmas Carol, The Sisters Rosensweig) returns to direct Jon Robin Baitz’s dramedy Other Desert Cities (Sept. 26–Oct. 19). Baitz made his bow at theREP with The Substance of Fire in 1993; and Other Desert Cities, which the New York Times called “one of the most satisfying grown-up plays of the decade,” marked his Broadway debut in 2011. A family clashes at the holidays over politics, memory and dark secrets in this Pulitzer Prize-nominated dazzler.

NEXT ACT! New Play Summit 3 (Nov. 1–3) will offer another round of exciting new as-yet-to-be-determined works. This mini-festival gives theREP’s dedicated patrons an inside look at what’s happening now in the world of theatre. The three-day event, split between spaces at Proctors and theREP, is fast becoming a buzz weekend as well as a proving ground for plays destined for theREP’s regular season.

Maggie Mancinelli-Cahill will helm the Classics on Stage holiday production of The Secret Garden (Nov. 21–Dec. 21). Librettist/lyricist Marsha Norman and composer Lucy Simon breathe new life in to Francis Hodgson Burnett’s timeless tale of a spurned orphan girl turning a dead and wasted garden into a loving paradise and sanctuary for love. The 1991 Broadway production, lifted by Simon’s soaring score, took home three Tony Awards.

Need proof of the power of NEXT ACT? Sherry Kramer’s How Water Behaves was the hit of last year’s hoedown. Now, it’s making its World Premiere (Jan. 16-Feb. 8) in a production sure to launch it on the regional theatre circuit. Kramer’s zany comedy—directed by Mancinelli-Cahill—focuses on Nan and her unemployed husband, Steve, who create a fictitious charity in order to keep up with their family’s extravagant gift giving. When Steve whips up a fake web site for the family to view, everything spins out of control.

Variety calls Steven Temperley’s Souvenir “a comic jewel with a heart.” Florence Foster Jenkins couldn’t sing a note, but that didn’t stop her from becoming the eccentric doyen of New York high society. Too bad she didn’t realize that her annual sold-out recitals were popular for their comic effect, not their art. Souvenir (Feb. 27-March 22) chronicles the side-splitting journey of Mrs. Jenkins and her compassionate accompanist Cosme McMoon from the rehearsal room to Carnegie Hall. Based on a true story, Souvenir will have you laughing—till you cry!

Kevin McGuire. Hamlet. Enough said. Broadway star and Capital Repertory Theatre favorite Kevin McGuire returns to direct the Bard’s towering classic of murder, betrayal and treachery. This fast-paced Classics on Stage production of Hamlet (April 17–May 10) is ripe with ghosts, political intrigue, romance and sword fighting swagger. McGuire, noted throughout the region for his brilliant stagings of Shakespeare at Hubbard Hall in Cambridge, will leave you breathless with his vision of the Danish prince.

  • Smokey Joe’s Café • July 11–Aug. 10, 2014
  • Other Desert Cities • Sept. 26–Oct. 19, 2014
  • NEXT ACT! New Play Summit 3 • Nov. 1–3, 2014
  • The Secret Garden • Nov. 21, 2014–Dec. 21, 2015
  • How Water Behaves • Jan. 16–Feb. 8, 2015
  • Souvenir • Feb. 27–March 22, 2015
  • Hamlet • April 17–May 10, 2015

New subscriptions, starting at $120, will be available beginning late March.

Capital Repertory Theatre, 111 N. Pearl Street, Albany, N.Y. For tickets and information, call TICKETS BY PROCTORS, (518) 445-SHOW (7469) or visit capitalrep.org.

An Evening with Kristin Chenoweth will delight

The Tony® and Emmy® Award-winning star of Glee, Pushing Daisies and Broadway favorite Wicked comes to Proctors Sunday, Feb. 9 for An Evening With Kristin Chenoweth.

Chenoweth, a dazzling soprano and a consummate entertainer, will offer a powerhouse celebration of song, dance and humor.

To put it simply, she’s wicked good.

Read More from DidYouWeekend? here.

The Mountaintop (Review)

News Subject: 
theREP

The Mountaintop (Review)
didyouweekend.com
by Rich DiMaggio

"This play has some really cool twists and turns in it that are best left as a surprise."

"Playing Martin Luther King is an extremely talented actor by the name of Brandon Jones, and he is joined with the equally compelling performance of Liz Morgan (I will also not disclose her role for fear of plot spoilage) Both are wonderful actors, delivering a five star performance about a torrid time in American history. Close your eyes, and you can almost hear Mr. King roar. Open them, and his fate looms large."

"History and humanism collide head on here."

"The acting is five star."

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Mountaintop Hits its Peak at Cap Rep!

News Subject: 
theREP

The Mountaintop at theREPMountaintop Hits its Peak at Cap Rep!
Discover Albany
by Will Gallagher

"Non-fiction and fantasy collide for ninety breathtaking minutes on the Capital Rep stage."

"Jones captures the essence of one of the most famous historical figures of our time and more so makes it look and sound quite effortless."

" you’d being doing yourself a great injustice by not seeing it."

"Liz is funny, heartwarming, and just plain entertaining."

"One of the greatest things that Mr. Jones brings to the table is Dr. King’s humanity."

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‘The Mountaintop’ stirring at Capital Rep

News Subject: 
theREP

‘The Mountaintop’ stirring at Capital Rep
Timesunion.com
by Steve Barnes

"Every mention King makes of his awareness of his own mortality seems profound"

"The conceit of her true identity affords great occasion for Morgan to show off as an actress, and she does; she’s terrific, especially in an early scene when, encouraged by King, the maid dons his suit jacket and shoes, climbs on a bed and delivers the sort of confrontational speech she believes he ought to give."

"This isn’t the MLK you think you know, and that’s reward enough."

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One Man Lord of the Rings!

Charlie Ross, the mad genius and "professional geek" behind One Man Lord of the Rings visited WNYT to chat with Subrina Dhammi. Click below to hear some of his wonderful impersonations.

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'The Mountaintop' at Capital Rep imagines Martin Luther King Jr.'s final night

News Subject: 
theREP

The Mountaintop at theREP'The Mountaintop' at Capital Rep imagines Martin Luther King Jr.'s final night
Times Union
by Joe Dalton

“The two-person drama imagines an extended conversation between King and a maid named Camae that takes place on the night before he is assassinated in Memphis in 1968.”

"It's grounded in historical fact, but presents him as a human being," explains director Nick Mangano. "We see a side that we've never seen before. The writing is beautiful and humanizes him in many ways. It's about a man who thinks he still has a lot to accomplish, even though he's done so much."

"It's very poetic with themes of redemption and forgiveness," explains Mangano. "There's also a wonderful surprise in the play. He meets the hotel maid and they begin a dialogue but you don't know who she really is. Is she planted there by someone? Is she with the FBI? That's something he had reason to worry about throughout his lifetime."

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theREP Controversial Play Brings a New Humanity to MLK

News Subject: 
theREP

Controversial Play Brings a New Humanity to MLK
Vermont News Guide
by Susan Robinson

" ‘The Mountaintop’ imagines the man Martin Luther King, grappling with faith, fame and the future on the last night of his life."

"playwright Katori Hall has an idea of what happened that rainy night in the hours between Martin Luther King, Junior’s stirring speech for sanitation strikers at the Mason Temple and the moment he was shot on the balcony outside his second-floor room."

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theREP The Mountaintop brings Martin Luther King, Jr. back to life in Controversial New Play

News Subject: 
theREP

1/21/-2/9–The Mountaintop brings Martin Luther King, Jr. back to life in Controversial New Play
Didyouweekend

“Hall’s brilliant language and fearless mind create a scene that bristles with possibility, hums with humanity and—veering towards a shimmering magical realism—haunts with her own vision of truth. Is it any wonder she’s been called one of “Theater’s hottest new voices.” “

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theREP Mountaintop Explores MLK Jr.

News Subject: 
theREP

The Mountaintop at theREP'Mountaintop’ Explores MLK Jr.
The Saratogian

by Bob Goepfert

“This is a look at the man, not the legend. The play shows him as a human being, not god-like. He has a hole in his sock; his feet give off an odor, he worries about how his mustache looks and even expresses doubts about his accomplishments.”

“The work permits us to check in with ourselves to understand great people are human just like us.”

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‘War Horse’ brilliant, marvel of stagecraft

The Record writes:

If for no other reason the stagecraft for the production of “War Horse,” makes it one of the most special shows to play Proctors in years.

The oft and sometime overly used term “magical” is appropriate for “War Horse” as the life-sized puppets of the horses easily become real animals and the puppeteers inside and alongside quickly become invisible. Adding to this illusion is the lights, sound and special effects that permit a bare stage to become battlefields, front yards, open fields and various other locations.

Without question “War Horse” is a marvel of stagecraft at its best and most wondrous. It is brilliant, well-executed theater.

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Proctors Donates Ticket Proceeds To Help Veterans

From WAMC:

A Saratoga County organization that uses horses to assist veterans suffering from psychological wounds has received a donation from Proctors from ticket proceeds. Saratoga WarHorse, a Wilton-based nonprofit, received an $8,900 donation from Proctors. The money is a portion of the ticket sales to the play War Horse, which premiered on the Schenectady stage January 15th.

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'War Horse' at Proctors not to be missed

The Daily Gazette says, "War Horse' at Proctors not to be missed"

Proctors' presentation of the National Theater of Britain and Lincoln’s Center Theater’s “War Horse” is an epic theatrical treat that is not to be missed…What makes “War Horse” a must-see event is its brilliant use of the powers of live theater — a story with universal themes; performers who surrender completely to the story; outstanding design; lighting that enhances and surprises; and music that places time and emotion with perfect grace.

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