Proctors is seeking a volunteer for 2-3 hours early Monday mornings.
Clean, organize, and stock the candy stand. Able to lift up to 10 lbs. Each hour volunteered will result in one credit redeemable toward selected Proctors performances. (10 credits required per performance)
Please email resume to Paul Kazee, firstname.lastname@example.org. No phone calls please.
by Will Gallagher
"If Patti LuPone was born to play Rose, Capital Rep was meant to put it on"
"Cap Rep has not only brought in their largest cast ever with 23 members, but one of their most powerful too."
"Get tickets to this absolutely amazing production, you may have seen Gypsy but you’ve never seen it like this!"
by Steve Barnes
"when staged expertly, as it is at Capital Rep by the company’s producing artistic director, Maggie Mancinelli-Cahill, “Gypsy” is deeply satisfying"
"But what you’ll remember is Callanan’s version of “Everything’s Coming Up Roses.” Often sung with braying bravado, here it’s big, to be sure, but it’s also window into Mama Rose’s obsession, and that’s much deeper and more lasting."
"Freddy Ramirez’s choreography is shown off in fine display, and key actors give nuanced, carefully drawn performances."
"Mary Callanan plays Rose with the relentlessness of a steam train and the voice of a clarion. Nothing puts her off track"
The Times Union raves about The Book of Mormon:
"The smash-hit musical, playing at Proctors through Sunday, at once savages Broadway conventions while bear-hugging them. It is both sacrilegious and and devout, snarky and earnest, foul-mouthed yet ultimately wholesome. It wants to offend and to be loved, and miraculously, it manages all of that while still being wildly funny, tuneful and visually engaging."
In the Times Union, Composer Priscilla McLean raves about about Itzhak Perlman's performance at Proctors.
"Itzhak Perlman is practically a household name, and the appearance of this most famous violinist at Proctors Theatre Saturday night drew an enthusiastic yet reverently quiet crowd. With his longtime collaborator, pianist Rohan de Silva, he presented a concert sparkling with life and ranging from programmed music to a variety of repertoire chosen in the moment and announced orally, like a jazz concert.
Disabled from polio at a young age, Perlman zoomed onto the stage in his motorized scooter and performed in it, while occasionally beaming at the audience and using facial expressions. Unable to emote while dancing around the stage like some violinists, Perlman focuses all his energies on the violin, employing amazing dexterity and extremely clean rhythms and intonation."
The Times Union's Steve Barnes certainly enjoyed The Sing Off Live tour at Proctors.
Paul Lamar raves: "If Audra McDonald ever gets sick, call on Ta’rea Campbell. She has pipes and over-the-footlights charisma. But Campbell also delivers when she tones it down, showing a real and earnest young woman in slightly over her head wherever she is. Maybe Campbell won’t have to wait for McDonald: This tour ought to pave the way for even more opportunities of her own."
Steve Barnes raves:
“Sister Act” is about as crowd-pleasing and exuberant a stage version as it’s possible to imagine being made from the hit 1992 movie of the same name.
Full of eye-popping production numbers, catchy and infectious songs by Alan Menken (“Little Shop of Horrors,” “The Little Mermaid,” “Beauty and the Beast”) and anchored by a star performance by Ta’Rea Campbell in the Whoopi Goldberg role, the touring musical, playing at Proctors through Sunday, is an irresistible good time.
Benita Zahn and other local favorites join Broadway veterans for Capital Repertory Theatre’s Gypsy: A Musical Fable
ALBANY, N.Y.—Feb. 3, 2014—Capital Repertory Theatre announces that Benita Zahn, popular anchor and health reporter for WNYT, will join other local favorites and a brace of Broadway veterans in the company’s upcoming production of Gypsy: A Musical Fable, book by Arthur Laurents, music by Jule Styne and lyrics by Stephen Sondheim. Directed by theREP’s Producing Artistic Director Maggie Mancinelli-Cahill, choreographed by Freddy Ramirez and assisted by Susan Caputo, Gypsy opens March 18 and runs through April 13.
Described by critics as one of the most important titles in the American musical theatre canon, Gypsy chronicles the rags to riches story of burlesque queen, Gypsy Rose Lee. Mary Callanan, fresh from her role in the Broadway revival of Annie, will head the cast as Rose. She will be joined by Broadway mainstay Bob Walton in the role of Herbie, the candy salesman who helps Rose and her brood survive the waning days of Vaudeville.
In addition to her turn as Mrs. Pugh in Annie, Callanan counts national tours of Big, Mamma Mia!, Damn Yankees, The Sound Of Music and Cinderella among her credits—along with a list of regional theatre roles that read like the American songbook. A favorite in her hometown of Boston, Callanan brings an established fan base for her recordings and cabaret appearances to the role of Rose, which has defined the meaning of “stage mother” for generations.
Walton, Callanan’s accomplished co-star, was last seen on Broadway in The Drowsy Chaperone, following appearances in 42nd Street, The Ziegfeld Follies Of 1936, Showboat, City Of Angels and Once Upon A Mattress with Sarah Jessica Parker. His wide-ranging career encompasses experience as an actor, director and musical director, working with greats like Mickey Rooney and Ginger Rogers.
Other New York pros include Kelsey Crouch as Louise (who transforms into the magnificent “First Lady of Burlesque,” Gypsy Rose Lee), LoriAnn Frieda as Tessie Tura, Hillary Parker as Mazeppa, Matt Gibson as Tulsa, John T. Wolfe as Yonkers and Connor Russell as Angie.
Zahn, who has trod the boards at many local theatres, takes on her Capital Repertory Theatre debut in the role of Electra, the sparkling stripper who helps teach Louise her trade. Ramirez, a Troy resident and Broadway veteran who toured the country in West Side Story, will portray L.A. Other top area actors, several taking their first bows at theREP, also decorate the cast.
Amelia Rose Allen stars as Baby Louise with Alexis Papaleo as her little sister, Baby June. Taking on the task of teenage Louise is Cara O’Brien, an Albany resident and graduate of NYU, last seen on the theREP’s stage in James Joyce’s The Dead. Emily Louise Franklin makes her downtown debut as the tap-dancing Dainty June. She was last seen as the grown up Princess Fiona in Park Playhouse’s critically-acclaimed Shrek. Franklin’s brother George, who starred in Broadway’s A Christmas Story, also appears. And local favorites Tony Pallone and Joe Phillips will portray a variety of male characters in the play.
Other members of the 22 actor ensemble include Katherine Delaney Buddenhagen, Heather-Liz Copps, Sophie Elise Meisner, Morgan Przekurat, Whitney Wilson and Sara Wolf.
Preview performances for Gypsy: A Musical Fable take place March 14-16. Opening night is Tuesday, March 18. Regular performances continue through Sunday, April 13. Performance times: 7:30 p.m. Tuesday through Thursday; and 8 p.m. Friday and Saturday—with matinees 3 p.m. Saturday; 2 p.m. Sunday; and 2 p.m. Wednesday, March 26. Capital Repertory Theatre, 111 N. Pearl Street, Albany, N.Y. Tickets range from $20 to $65. For tickets and information, call TICKETS BY PROCTORS, (518) 445-SHOW (7469) or visit capitalrep.org.
Gypsy: A Musical Fable is sponsored by M&T Bank; with sub-sponsors Greenberg Traurig LLP.
Songs about caffeine; tales of trout ice cream; and Alton Brown's philosophy of cooking. It's all in Kathleen Moore's review of Mr. Brown's snowbound appearance at Proctors.
If you're not a Gazette subscriber, you'll have to pay to see the whole story, but it's a fun read.
You’ve loved him on the Food Network, now you can get an up-close and personal session with celebrity chef, cook book author and popular television personality Alton Brown when he takes to the Proctors stage Thursday night.
“The Edible Inevitable Tour” will have the chef and TV host brandishing his trademark quirky humor and culinary-science antics on stage for 90 minutes. Brown describes the show as a blend of stand up comedy, food experimentation, talk show antics, multimedia lecture and, for the first time, live music.
From the Daily Gazette:
On Thursday, when Brown sets up his own kitchen on the main stage at Proctors, fun will be the name of the game and the action won’t be anything like “Cutthroat.”
“Alton Brown Live! The Edible Inevitable Tour” is more like “Good Eats,” his brainy, zany culinary science series that aired on the Food Network from 1999 to 2012.
The tour, which launched in October, has been “fantastic fun,” Brown says by phone from Los Angeles, where he was taking a break to film TV shows after visiting 19 cities. In December, he shot the third season of “Cutthroat Kitchen,” and in January, he wrapped up the 10th season of “Food Network Star.”
From The Times Union:
"I wanted to do a true variety show, just one that focuses all around food," Brown says, chatting on the phone from his home in Atlanta. It includes what he describes as two "really big, very impressive new food demos," one involving extreme cold, the other extreme heat; the puppets, science and skit humor of "Good Eats"; audience interaction; and original food-themed songs written by Brown, with titles such as "Airport Shrimp Blues" and "TV Cookin Ain't Like No Other Cookin."
In The Times Union, Steve Barnes raves about Kristin Chenoweth's appearance at Proctors, praising her spontaneity, prowess and warmth. He even points out her unexpected lunch visit at Jay Street's wonderful Ambition cafe.
It’s been 10 years since Kristin Chenoweth dazzled Broadway audiences in “Wicked,” and told us how to be “Popular.”
Which is something she knows about. The diminutive but gifted singer and actress from Broken Arrow, Okla., has been about as busy as anyone in the entertainment industry lately. Sunday night at Proctors, she’ll be putting her vocal talents on display for Capital Region audiences in “An Evening With Kristin Chenoweth.”
“It will be a range of various types of musical genres including country, musical theater, Broadway and opera,” said Chenoweth, referring to her concert performance.“ Each performance is different, and the audience is a big part of that, so I try to interact with them as much as I can. The more they are enjoying the show, the more animated and interactive I am with them.”
Chenoweth points out that she has a master’s degree in opera performance, but quickly adds that Dolly Parton, Loretta Lynn and Patsy Cline heavily influenced her musical tastes while growing up in Oklahoma. She promises, “You’ll hear glimpses of them” in her singing.