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JERSEY BOYS sing the living daylights out of the songs: Metroland's B.A. Nilsson
Big Men in Town
by B.A. Nilsson on March 7, 2012 · 0 comments
MUSIC BY BOB GAUDIO, LYRICS BY BOB CREWE, BOOK BY MARSHALL BRICKMAN AND RICK ELICE, DIRECTED BY DES MCANUFF, at PROCTORS, Through MARCH 18
Jersey Boys
Frankie Valli’s Four Seasons were one of the few groups who withstood the seismic blast the Beatles wrought upon pop music in 1964. With No. 1 hits before, during, and after the height of the Beatles’ reign, the Four Seasons demonstrated the staying power of a sound nurtured in a 1950s musical language but with the added signature of Valli’s distinctive voice, especially in falsetto.
If any group deserve the jukebox-musical treatment, the Four Seasons do. Aside from early brushes with the law (being a small-time hood in northern New Jersey has achieved reverential status), the group’s biggest problems seem to have been staying together and producing hits. The story runs, in four acts, from the 1950s, as Tommy DeVito (Colby Foytik) struggles to get a singing group together, and peaks in 1967 with Valli’s hit “Can’t Take My Eyes Off You,” a moment so built up in the show that the audience was ready to ovate as the song’s opening chords sounded.
Book writers Marshall Brickman and Rick Elice borrowed the idea of presenting the story through the point of view of each of the Four Seasons members in turn, and even had the balls to align each of those perspectives with a season, beginning with spring.
DeVito starts off the tale, introducing himself as what we’ll see is an egotistical blowhard whom Foytik deftly portrays, his emotional flip-flops given plausibility by his full-tilt commitment to the character.
But what really drives the show is the seemingly nonstop music. It’s much more than the sum of the Four Seasons’ hits. It’s a cavalcade of the tunes the group members listened to, started with and fought against. (And the show’s program lists another 19 songs that, as the heading puts it, “got away.”)
“I Can’t Give You Anything but Love,” dating back to 1928, sounds early—it’s Frankie’s tryout piece—and recurs instrumentally at key moments. Before we get to the hits we came to the show to hear, we’re also treated to “Earth Angel,” “A Sunday Kind of Love” and even Eddie Jefferson’s “Moody’s Mood for Love.”
Then “Sherry” explodes, and we know where it goes from there. We’re well into act one’s part two (summer) by then, with narration by Bob Gaudio (Jason Kappus), who at the time was a very young one-hit wonder who soon would prove to be a fountain of hits. Shifting the point of view is a deft narrative device that fills out characterization better than is typically the case with this kind of musical—but it skillfully breaks many of the by-default rules.
Read B.A. Nilsson's full review in METROLAND:
JERSEY BOYS -- a hit on all levels, say critic BOB GOEPFERT
Review:'Jersey Boys' a hit on all levels
By BOB GOEPFERT
Entertainment518@journalregster.com
SCHENECTADY — I came to the musical “The Jersey Boys” a skeptic and left a believer. My best hope at the start of the evening was that I would like the show. I left a fan.
“The Jersey Boys” is about the musical group “The Four Seasons” (later known as Frankie Valli and the Four Seasons). It is filled with great songs and has a story that adds significance to each number. This production is cast with four leads who do superior work and a large supporting cast who add to the fun.
The reason for my initial skepticism about the show is I am not a big fan of “jukebox musicals.” And since “The Jersey Boys” includes more than 30 songs, it’s hard not the think of the show as an “and then I wrote” musical....
As for the plot, let’s be realistic. The Four Seasons was a hit machine, not a beloved singing group. Their first three hits were “Sherry,” “Big Girls Don’t Cry” and “Walk Like a Man” — all of which are given stirring renditions in the show. Though the public loved their music, the group itself was kind of anonymous. They never became more important than their latest hit.
Even when most of the group left and it became Frankie Valli and the Four Seasons and the hits continued with “C’mon Marianne” and “Can’t Take My Eyes Off Of You,” the cult of personality never became an element of their success.
There is no question the music is the driving force of the show. Song after song stirs the memory and fills you not only with nostalgia but admiration. It’s impossible at some point during the almost three-hour show not to think “They recorded this song, too?” It is not only an amazing catalog of work but the four actors perform the songs brilliantly. This is not an impersonation or a recreation. It’s inhabiting the characters.
Read the full Bob Goepfert review at
Nippertown Loves JERSEY BOYS
Nippertown Loves JERSEY BOYS
It was a magnificent night of theater – whether or not you grew up listening to the Four Seasons’ music or ever made out in the back seat of a car to “Can’t Take My Eyes Off of You.” All four leads – Jason Kappus (as Bob Gaudio), Brandon Andrus (as Nick Massi) and Colby Foytik (as Tommy DeVito), in addition to Weinstock’s Valli) – were excellent. The harmonies were dead-on; the musicianship was spot-on; and the acting was superb – and there was definitely some serious acting required.
Read the review; view the images:
http://www.nippertown.com/2012/03/06/live-jersey-boys-proctors-3112/
Proctors’ film coordinator Warlock has a ‘reel’ passion for movies
Q & A: Proctors’ film coordinator Warlock has a 'reel' passion for the movies
Sunday, March 4, 2012
By Jeff Wilkin (Contact)
Gazette Reporter
![]() | Bob Warlock, coordinator of the film program and gift center at Proctors in Schenectady, takes a break inside the theater. Warlock, who lives in Schenectady, has been a Proctors mainstay since 1981. (photo: Jeff Wilkin/Gazette Reporter) Bob Warlock appears in many scenes at Proctors in Schenectady. People see the Schenectady resident in the famous arcade outside the landmark theater. They see him in the Proctors gift stores, and around the Mainstage and GE Theatre on movie nights. Longtime theater and film fan Warlock is Proctors’ film program coordinator and gift center coordinator and is happy to remain identified with Schenectady’s artistic center. He told The Sunday Gazette all about his work — and Proctors’ coming seven-film “Rendez-Vous with French Cinema” — during a cinematic question-and-answer session. Q: How did your association with Proctors begin? Read the full interview: http://www.dailygazette.com/news/2012/mar/04/0304_qna/ |
Mountain of hype? With JERSEY BOYS, every bit is true, says TU.
Jersey Boys @ Proctors, 3/1/12
March 3, 2012 at 11:18 am by
You don’t have to know the first thing about The Four Seasons to fall in love with “Jersey Boys.” And if you’re already a fan of the classic band, you’ll be an even bigger fan when you’re done seeing the show.
The jukebox musical — which played the 100th performance of its current tour at Proctors Thursday — is chockablock with hummable tunes, but it also tells a compelling story in a very compelling way.
The Four Seasons began as an idea in Tommy DeVito’s head. DeVito (Colby Foytik) was a new Jersey hood who saw music as his way out of the dead end of playing the horses and knocking over jewelry stores.
Read Full Review by MICHAEL ECK
JERSEY BOYS
Performance reviewed: 8 p.m. Thursday.
Where: Proctors, 432 State Street, Schenectady.
Running time: 150 minutes; one intermission.
Continues: 8 p.m. Tuesday through Saturday; 2 p.m. Thursday, Saturday and Sunday. Through March 18.
Tickets: $20-$130
Info: 346-6204; http://www.proctors.org
PROCTORS among recipients of SAGE contribution
SAGE Presents $5,800 to Local Charities
10 Arts and Social Service Programs Recognized
Albany, NYMarch 1, 2012. SAGE Computer Associates provided $5,800 in contributions to ten local charities Wednesday, February 29. More than 30 people attended the ceremonial check presentation at their 3 Washington Square office. The SAGECares® 2011 Community Support Program grand finalists, Historic Albany Foundation and Colonie Youth Center, each received a check for $2,100.
SAGE initiated the SAGECares® Community Support Program in 2010. Each year SAGE chooses five arts organizations and five social service organizations to be included in the program. SAGE is committed to this program and has a goal of providing a total of $35,000 for social service organizations and arts organizations that support the Capital District, our local community.
In addition to the two grand finalists eight other organizations were recognized with $200 contributions. They were: Albany Boys and Girls Club, Homeless and Travelers Aid Society, Schenectady ARC, Schoharie County CAP Flood Relief, Albany Symphony Orchestra, Proctors, Troy Savings Bank Music Hall, and WAMC Northeast Public Radio.
SAGE designs, installs and supports computer networks for small and medium businesses since 1983. We listen to your unique business needs and help implement technology-based productivity to improve your competitive edge and exceed your customers’ expectations. SAGE recommends the hardware and software that is exactly right to help you meet your goals; it’s not technology for technology’s sake, it’s technology for business’ sake. Our networks provide your business with a secure, reliable and productive computer environment, freeing you to focus your energy on growing your business instead of managing technology.
Does your IT department need assistance with help desk, managed services or strategic planning? Let SAGE help you get the return on your investment that you deserve. For information, call 518-458-9300 or info@sagecomputer.com
GAZETTE: Musically, JERSEY BOYS a complete success.
The Four Seasons — played by, from left, Brandon Andrus, Brad Weinstock, Jason Kappus and Colby Foytik -- spend time in the recording studio in “Jersey Boys.” The show opens at Proctors on Tuesday and runs through mid-March.
Get show insights by Gazette reviewer Matthew G. Moross:
http://www.dailygazette.com/news/2012/mar/02/0303_jerseyrev/
Noted musicians hold sway at NEW YORK SINGS!
http://nyswiblog.blogspot.com/2012/02/new-york-sings.html
NEW YORK SINGS! at Capital Rep. Noted musicians.
http://nyswiblog.blogspot.com/2012/02/new-york-sings.html
JERSEY BOYS packs a 1 - 2 punch at Proctors
Jersey Boys Packs a 1-2 Punch!
Playing 2/28-3/18
At Proctors
proctors.org
State Street
Schenectady, NY
*****(five star)
By Rich DiMaggio
“I want a contract.”
“What kind of contract?”
“You give me half of what you sing. I give you have of what I write.”
“You mean like a lawyer contract?”
“Yeah.”
“I don’t do lawyer contracts. I do Jersey contracts.”
And with that handshake, Jersey Boys swept into the Capital Region forty years later with a one-two punch. The long-awaited musical highlighting the tales of Frankie Valli–”with an i, not a y” and the Four Seasons arrived for its one hundredth performance, right on the heels of another long-awaited event: The first snow storm of the season. But that didn’t keep the crowds away.
Read all about it: http://www.didyouweekend.com/archives/19889
NEW YORK SINGS at Capital Rep, Mar 24. Free! All welcomed.
Capital Repertory Theatre
and the University at Albany (SUNY) Department of History,
Researching New York Conference, and Documentary Studies Program
present
New York Sings
an afternoon exploration of New York’s rich musical heritage,
featuring renowned musicologist Rena Kosersky
and famed Albany-area folklorist/performer George Ward.
Albany, NY – February 28, 2012 – Capital Repertory Theatre invites the public to New York Sings!a lively, 90-minute discussion and performance with renowned musicologist Rena Kosersky and famed folklorist/musician George Ward. The event, which is free to all, will be held on Saturday, March 24, from 1-2:30 pm at Capital Repertory Theatre, 111 North Pearl Street in Albany.
New York Sings!explores New York’s rich musical traditions, including 19th and early 20th century folksongs gathered in the Schoharie region, such as “A Dutch Lullaby” and “Billy Boy,” that reflect the roots of New York’s earliest settlers.
“Events such New York Sings! are at the heart of Capital Repertory Theatre’s mission,” notes Producing Artistic Director Maggie Mancinelli-Cahill. “We look at the community as a source of inspiration, and seek to celebrate the upstate region in particular as a cultural destination point, both past and present. The relevance of this exceptional offering in concert with the upcoming Black Pearl Sings! at Capital Rep cannot be overstated.”
The March 24 event is co-sponsored by the University at Albany Department of History and Researching New York, a conference on New York State history sponsored by the department each November; and the UAlbany Documentary Studies Program.
New York Sings! is scheduled to coincide with Capital Repertory Theatre’s regional premiere of Black Pearl Sings!, which runs from March 13 through April 7. A play with music by Frank Higgins, Black Pearl Sings! brings audiences back to the 1930s and an encounter in a Texas prison between Alberta "Pearl" Johnson, an African-American woman convicted of murder (played by Jannie Jones, who delighted audiences in last year’s Crowns), and Susannah Mullally, a white academic collecting traditional songs for the U.S. Library of Congress (played by Jessica Wortham, known locally for her memorable work in Boston Marriage). When Susannah discovers that Pearl is a living storehouse of songs passed down from her African ancestors, Pearl must decide whether or not to trust her—not only with her songs, but also her only chance at freedom.
Higgins has said that his work was inspired by the true story of song collector John Lomax, a white academic who met African-American musician Huddie Ledbetter, better known as Leadbelly, in a Louisiana prison in 1933. The March 24 discussion invites the general public to look more deeply into the legacy of collectors like Lomax. “It seemed like a terrific opportunity to bring New York scholars, performers, and the public together to discuss and celebrate the music of New York in the context of this play,” said Sheila Curran Bernard, who organized the event with Mancinelli-Cahill and is a faculty member at the University at Albany.
Bernard contacted Rena Kosersky, an expert in American folk music and music collecting, including the work of John Lomax. “By focusing on music in certain regions of the country, Appalachia and the Deep South, as Lomax did,” Kosersky explains, “collectors often privileged that music as ‘American’—a designation that overlooks rich traditions elsewhere.” For the 90-minute presentation on March 24, Kosersky will team up with famed regional performer George Ward to introduce audiences to the rich song and folklore legacy of New York State. Of particular interest is Kosersky’s research into the 19th and early 20th century folk and popular songs of Schoharie County as collected by Ida Finkell (whose “songster” or ballad book was kept from 1879-83) and Emelyn Elizabeth Gardner (Folklore from The Schohairie Hills New York, 1937).
“In New York, as in Texas, Louisiana, and elsewhere, music played a key role in establishing and preserving communities, and it can serve as a lens through which to understand the historical past, both before and after the advent of recording technology,” adds Kosersky. “The music of New York is an important part of the musical traditions that illustrate the United States’ dynamic and diverse population.”
Kosersky is planning to discuss a number of songs that George Ward will perform. While the program is not yet finalized, selections may include “Uncle Sam’s Farm,” a popular 19th century protest song; “Ding Darling,” a tune also known as “It Was on One Morning in 1855;” “When the Stars Begin to Fall,” a spiritual; and “Pretty Polly,” a ballad with English, Irish, and American roots.
A matinee performance of Black Pearl Sings! will follow the discussion, beginning at 3:00 pm on Saturday, March 24, 2012. Tickets are required for Black Pearl Sings!. They can be purchased online at www. capitalrep.org, in person at the Tickets by Proctors Box Office, by phone at the Tickets by Proctors phone line, or in person two hours prior to the performance at the Capital Repertory Theatre Box Office.
For more information, contact:
Sheila Curran Bernard
Assistant Professor, Department of History
University at Albany, SUNY
Thom O’Connor
Marketing Communications for Proctors and Capital Rep
Phone: 518-382-3884 x 166
CAPITAL REPERTORY THEATRE: www.capitalrep.org
UALBANY DEPARTMENT OF HISTORY: www.albany.edu/history
UALBANY DOCUMENTARY STUDIES PROGRAM: www.albany.edu/docstudies
RESEARCHING NEW YORK 2012: http://nystatehistory.org/researchny/rsny.html
RENA KOSERSKYis a renowned musicologist whose research and music supervisor credits include the PBS programs The Great Depression, Woody Guthrie and Eyes on the Prize. A resident of Schoharie County and NYC, Kosersky has expertise in the Lomax archive and in the 19th and early 20th century songs of Schoharie County, including the collections and writings of Ida Finkel, Emelyn E. Gardner, and others.
GEORGE WARD, a folklorist by academic training, has spent more than 30 years collecting and performing traditional songs and drawing on the rural singing tradition of the American Northeast. A frequent performer at concerts, festivals, and educational series, his CDs include O! That Low Bridge!: Songs of the Erie Canal and All Our Brave Tars: Songs of the Age of the Fighting Sail. See www.mulesong.com.
SHEILA CURRAN BERNARD holds a joint appointment in history and documentary studies at the University at Albany. She is an Emmy and Peabody Award-winning filmmaker and the author, with Kenn Rabin, of Archival Storytelling (Focal Press). Her most recent film, Slavery by Another Name, premiered on PBS on February 13, 2012. See www.sheilacurranbernard.com.
MAGGIE MANCINELLI-CAHILL, Producing Artistic Director of Capital Repertory Theatre, has brought new and documentary-based works by diverse playwrights to the stage at Capital Rep and elsewhere. Productions include Having Our Say, Crumbs from the Table of Joy, 33 Variations, It Ain’t Nothin’ But the Blues, and for young people, Friend of a Friend and Petticoats of Steel.
At a glance:
New York Sings:
An exploration of New York State’s musical heritage with
musicologistRena Kosersky and folklorist/musicianGeorge Ward
When: Saturday, March 24, 2012, 1:00 pm – 2:30 pm
Where: Capital Repertory Theatre, 111 North Pearl Street, Albany, New York
Tickets: No tickets necessary; the event is free and open to the public
Info: 518-346-6204, http://www.proctors.org
A 3:00 pm performance of Black Pearl Sings! follows the discussion. Tickets for Black Pearl Sings!can be purchased either:
1) At Tickets by Proctors Box Office (432 State Street, Schenectady, NY)
Mon-Fri 10-6; Sat-Sun 10-5
2) By Tickets by Proctors phone: 518-445-SHOW
Mon-Fri 10-6; Sat-Sun 10-5
3) Online at www.capitalrep.org
4) At Capital Rep Box Office, 111 North Pearl Street, Albany, NY two hours prior to the show.
# # #
Regional Premiere
Black Pearl Sings!
by Frank Higgins
Tuesday, March 13 - Saturday, April 7
Previews: March 9- March 13
---------
"...good music knows no prejudice and requires little translation" --
Jerome Langston, VEER magazine
The search for the soul of America's hidden African roots takes Susannah an ethnomusicologist, to a Texas prison where she encounters Albertina "Pearl" Johnson. Imprisoned for a crime of passion, Pearl is a living album of folk songs and spirituals passed down from her African American ancestors and their slave era past. She must decide whether to trust the white Susannah with her invaluable songs and with her only chance at freedom. Pearl's stirring voice will touch your heart as will this story of complete strangers united by a common love.
Albany, NY – February 15, 2012– The gusty March winds and anticipated flowering of Spring this year will be accompanied by the soulful refrains of folk songs and slave spirituals at Albany’s Capital Repertory Theatre as playwright Frank Higgins' Black Pearl Sings! opens on Friday, March 9 and holds full sway over audiences until April 7.
Those with a love for Capital Rep’s signature Seriously Good Theatre series won’t want to miss this uplifting dramatic tale of two very different women, each on her own journey toward happiness, and the friendship that unites and guides them.
Bringing Higgins’ play to Albany has been a dream come true for Capital Rep’s Producing Artistic Director Maggie Mancinelli-Cahill: MAGGIE QUOTE?
It’s a story that sweeps us into its unfolding until the final line.”
Intelligent, Riveting Theatre
Imprisoned for murder, Alberta "Pearl" Johnson is the living storehouse of songs passed down from her African-American ancestors. When Library of Congress song collector Susannah Mullally finds her, Pearl must decide whether to entrust the woman not only with the songs of her ancestors, but with her only chance at freedom. The women's stirring a capella songs touch the soul, as will the story of two strangers united by a common cause.
Bonnie Jones, who delighted audiences in Capital Rep’s producton of Crowns last season is featured in the role of Pearl. Making her Capital Rep debut, Jessica Wortham will perform the role of Susannah. Together, they appeared in San Jose Repertory Theatre's much-lauded Black Pearl Sings! production in 2010.
Black Pearl Sings! is a co-production with Virginia Stage Company at the Wells Theatre in Norfolk, VA., Following a run at VSA, the cast and creative team, led by Director Patrick Mullins, will travel to Albany and produce the show from March 9 to April 7, 2012.
Black Pearl Sings! received its first workshop production at the Barter Theatre in Abingdon in 2006 prior to its 2007 premiere in Houston. It has become a favorite at theaters around the country and has played at Ford's Theatre in Washington, D.C.
The unfolding story Includes renditions of old field songs, early blues, spirituals and gutbucket blues. These vocal artifacts remind us that music has the power to help heal in the struggle between out collective past and our desire for individual histories. Songs include "This Little Light of Mine," "Kum Ba Yah," "Little Sally Walker" and more, most performed in their original folk versions. At one point in the show, the audience is invited to sing along.
Playwright Higgins emphasizes that Black Pearl Sings! is very much "a play with music," not a musical. In fact, the songs are performed without accompaniment. The only musical instrument, other than the human voice, is an autoharp.
About the Playwright
Frank Higgins is the author of The Sweet By ‘n’ By, which was produced with Blythe Danner and Gwyneth Paltrow. His play Black Pearl Sings! has been one of the most produced plays in the country over the past two seasons, and several scenes from his play Gunplay were read on Capitol Hill prior to Congress’ passage of the “Brady Bill.” Mr. Higgins’ play Miracles has been produced at major regional theatres and was optioned for Broadway, while his musical play WMKS: Where Music Kills Sorrow has also run at major regional theatres. Plays for young audiences includeThe Slave Dancer’s Choice, Anansi the Spider and the Middle Passage, as well as The Country of the Blind, an adaptation of the short story by H.G. Wells. Mr. Higgins teaches at the University of Missouri-Kansas City and is a member of the Dramatists Guild of America.
According to Higgins, “[He] first became interested in the old folk songs and ballads when I traveled through the Appalachian Mountains.
"I've always been fascinated by what is authentic and what isn't. Is there a tendency that many people of all backgrounds have to romanticize their cultural past and the pasts of others? The question of finding the true roots of a culture is a mystery as complicated as any."
Higgins said that Pearl is a fictional character inspired by the real-life story of blues legend Huddie (Lead Belly) Ledbetter. Lead Belly was in prison, too, and became famous when he was discovered and promoted by John and Alan Lomax, father-and-son folk-music collectors.
The main reason Higgins switched genders is because "women are the matriarchs of any culture. They are the ones who sang the songs to the children," he said.
"Women are more likely to carry on the songs of a culture."
Running Time: 2 Hours 15 min
Special Events for Black Pearl Sings
Opening Night: Tuesday, March 13th
• Pre-Show- Live Music entertainment with special guest and area gospel singer, Ms. Shereen Moore
• Post Show Reception- Dessert and Champagne Toast - Following the show in the café, join us for an introduction by Capital Repertory Producing Artistic Director, Maggie Mancinelli-Cahill of the cast and company.
Chef's Table Nighthosted by 677 Prime - Tuesday, March 20thone of the most popular nights at Capital Repertory Theatre, where downtown Albany restaurants provide a marvelous spread of their cuisine. This night also provides live music entertainment with a pre-show live performance in the lobby.
Discussion Nights- Wednesday, March 21 and Wednesday, March 28 a post-show discussion with the cast.
Behind-The-Scenes with Maggie- Sunday, April 1st, a pre-show discussion with Producing Artistic Director Maggie Mancinelli-Cahill and special guest. Continental breakfast with juice and coffee is provided.
Early Bird Previews- Friday, March 9, Saturday, March 10 and Sunday, March 11 Be among the first to see each play before it is reviewed by the press.
On Sale Now!
Tickets prices to Black Pearl Sings! are:
· WEEKENDS: $20, $40, $50 &, $60
· WEEKDAYS: $20, $30, $40 & $50
· STUDENTS: $16 (WITH ID)
Three ways to buy tickets
1. In person at the Tickets by Proctors Box Office (432 State St., Schenectady, NY 12305)
• Mon – Fri: 10am – 6pm
• Sat – Sun: 10am – 5pm
• Or at the Capital Rep Box Office 2 hours prior to each show
2. On the phone, call Tickets by Proctors (518) 445-SHOW
· Mon – Fri: 10am – 6pm
· Sat – Sun: 10am – 5pm
3. Online at www.capitalrep.org
Curtain Times:Tues – Thurs: 7:30pm
· Friday: 8:00pm
· Saturday: 3:00pm & 8:00pm
· Sunday: 2:00pm
The Cast
JANNIE JONES(Pearl) appeared in Capital Rep’s production of Crowns last season. She recently received critical acclaim for her performance in Hair Spray as Motomouth at the NC Theatre, Juneteenth Legacy Theatre’s August Wilison’s Women, which garnered her an Audelco Award and for Black Pearl Sings at San Jose Repertory Company for which she recently won a Bay Area Theatre Critics Award for Best Actress. She has also received critical acclaim for her role of Sylvia in the National Broadway tour of All Shook Up. Her Broadway and off Broadway credits include The Full Monty, Mama I Want To Sing and Faith’s Journey.
Other credits include Don’t Bother Me, I Can’t Cope (NC Black Rep), Crowns (Cincinnati Playhouse & Repertory Theatre of St. Louis) Grafton City Blues (Milwaukee
Rep) Beehive (Arkansas Rep), Hair (as Dionne), Steppin’ Out (music of Irving Berline), Too Darn Hot (music of Cole Porter), All Night Strut, It Ain’t Nothin’ But the Blues and Motown Cabaret (Florida Studio Theatre) and Ain’t Misbehavin (The Riverside Theatre). Jannie has toured nationally and internationally to more than 23 countries.
Her television credits includes daytime soaps operas: All My Children and The Guiding Light, Sitcoms: Martin & Sinbad and commercials and print modeling. She has performed the concert version of Kiss Me Kate with the Staten Island Philharmonic Orchestra and in concert at Carnegie Hall, Radio City Music Hall and Madison Square Garden with famed Spanish legend Raphael. She can be heard on Teddy Pendergras’ lastest release, Say It and on the last hit CD of the late, great Barry White in Practice What You Preach.
JESSICA WORTHAM(Susannah) is thrilled to be making her Capital Repertory Theatre debut. Regional Theatre credits include Black Pearl Sings! at San Jose Repertory Theater (Bay Area Theatre Critics Circle Award); David Mamet’s Boston Marriage at Capital Repertory Theater; The Ruby Sunrise, Merry Wives of Windsor and A Christmas Carol at Trinity Repertory Company; Crime and Punishment, Twelfth Night, A Christmas Story, Dracula, and the Humana Festival premieres of The Ruby Sunrise, No. 11 (Blue and White) and Back Story, all for Actors Theatre of Louisville.
Her New York theatre credits include Green Girl and On The Threshold at the Public Theater; Bone Portraits at Soho Rep/Walkerspace. Internationally, she has appeared in Cat on a Hot Tin Roof at the English Theatre Frankfurt and Crimes of the Heart at Vienna’s English Theatre.
Ms. Wortham holds an MFA from Brown University and is a proud graduate of Centre College.
ABOUT CAPITAL REP
Capital Repertory Theatre has a rich, local history of excellent entertainment and strong community relationships. Established in 1981, it came into existence through the dedication and perseverance of a group of Albany business, community and civic leaders. Donated labor, materials and expertise transformed the Grand Cash Market, an abandoned supermarket at 111 North Pearl Street, into what was to become the home of Albany's first professional resident theatre.
Outreach was made to The League of Theatre Artists, a group of diverse actors, directors and playwrights, who spent summers at Art Awareness in Lexington, New York. Working together, these artists, community leaders and an army of volunteers founded Capital Repertory Company. This initial investment of time and resources created what is now the highly acclaimed, award-winning Capital Repertory Theatre with an annual operating budget of $2.3 million, and a history of producing more than 5,000 performances employing more than 1,500 professional artists.
In the past 30 years, the facility on North Pearl Street has been renovated several times, and now includes a 286-seat theatre, a café space, a costume-making shop, and a rehearsal hall. In addition to returning more than 83% of its operating budget directly back to the local community, Capital Rep brings vitality and commerce to downtown in the form of more than 75,000 diners, shoppers, and tourists, serving as an economic engine in the entertainment district on North Pearl Street.
At the core of Capital Repertory Theatre's mission is "to create meaningful theatre with an authentic connection to the community we serve" in pursuit of these goals:
• to provide significant, high-quality theatre for all people of the Capital Region,
• to ensure that every student in the 14-county Capital Region experiences live theatre before high school graduation,
• to take a leadership role in defining New York's Upper Hudson-Mohawk Valley as a cultural destination point, and
• to make Capital Repertory Theatre synonymous with quality in every aspect of the organization: actors, productions, education programs, customer service, and civic leadership.
In all programs and services, Capital Repertory Theatre reflects its mission by embracing its community as a source of inspiration. Capital Rep embraces cast, crew and audiences from every background to expand the horizons of thought and understanding of the human condition through the power of theatre.
Capital Repertory Theatre is a professional, not-for-profit cultural organization, and the only member of the League of Resident Theatres (LORT) within fourteen counties of the Upper Hudson-Mohawk Valley.
As a proud member of LORT, an esteemed organization that promotes the positive impact of theatres in the arts and communities nationwide, Capital Rep is able to create excellent opportunities for both up-and-coming and seasoned theatre professionals. Today, these affiliated theatres provide artists with a support system for developing new work, as well as reviving classics and perennial favorites. LORT members strive to provide hundreds of thousands of people with the opportunity to experience the highest caliber of performance right in their own communities. For more information about LORT, please visit http://www.lort.org/.
NYSCA Support
Capital Repertory Theatre receives general support from the New York State Council on the Arts (NYSCA), celebrating 50 years of building strong, creative communities in New York State's 62 counties.
- Black Pearl Sings! -
JERSEY BOYS arrives at Proctors for three-week run
'Jersey Boys' comes to Proctors for three-week run
'Jersey Boys' musical tale of The Four Seasons
By Michael Eck
"Jersey Boys," which opens a three-week run at Proctors on Tuesday, is a musical biography of the band, containing dozens of favorites like "Rag Doll," "Walk Like a Man" and "December 1963 (Oh, What A Night)."
Co-librettist Rick Elice says that the program notes go so far as to include a list of songs the writers wanted to use ("The Ones That Got Away"), but just couldn't because of time constraints.
"Even with 33 songs in the show, we still had to put that list in the Playbill simply because the show would have been too long."
At a glance
"JERSEY BOYS"
Opens: 8 p.m. Tuesday
Where: Proctors, 432 State St., Schenectady
Continues: 8 p.m. Tuesday through Saturday; 2 p.m. Thursday, Saturday and Sunday. Through March 18.
Tickets: $20-$130
Info: 346-6204; http://www.proctors.org
Read more + photos:
ONE PERFORMANCE ONLY!!!! YOUNG FRANKENSTEIN, April 7, at Proctors
ONE PERFORMANCE ONLY!!!!
Mel Brooks Musical
It's Alive...Again!
Saturday, April 7, 2:00 pm
The Mainstage at Proctors
Proctors, February 22, 2012 -- The classic Mel Brooks movie is ALIVE...and it's headed here! You'll have a monstrously good time at this spectacular new production, winner of the 2008 Outer Critics Circle Award and the Broadway.com Audience Award for BEST MUSICAL!
Don't miss the sensational cast delivering all your favorite moments from the classic film, plus brand-new show-stopping numbers for the stage, including "Transylvania Mania," "He Vas My Boyfriend" and “Puttin' on the Ritz."
This wickedly inspired re-imagining of the Frankenstein legend follows bright young Dr. Frankenstein (that's Fronkensteen) as he attempts to create a monster--but not without scary and hilarious complications. The brains behind the laughter is mad genius and three-time Tony winner Mel Brooks himself--who wrote the music and lyrics and co-wrote the book- along with his record-breaking team from The Producers: five-time Tony-winning director and choreographer Susan Stroman and three-time Tony-winning writer, Thomas Meehan.
Recommended for ages 12 and up. Running Time, 2 hours 40 min including one intermission.
Tickets On Sale Now
Ticket Prices for Mel Brooks Musical Young Frankenstein are $20, $40, $50 & $60 and available at Proctors Box Office, (518) 346-6204 or online at proctors.org.
Significant discounts on tickets for Mel Brooks Musical Young Frankenstein are available for groups of 20 or more. A listing of shows and pricing may be found at proctors.org/group_sales or by contacting Proctors Group Sales at 518-382-3884 ext. 139.
Mel Brooks Musical Young Frankenstein at Proctors is sponsored by Black Bag Comedy / Rotterdam Family Medicine.
Mel Brooks Musical Young Frankenstein at Proctors is made possible with public funds from the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York State's 62 counties.
Free Parking for Mel Brooks Musical Young Frankenstein at Proctors is available in the Broadway Garage, courtesy of the Times Union. Go to timesunion.com for news and entertainment.
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Ray Bleser named chair of Schenectady County Chamber Board
The Buzz: Business newsBusiness, media, technology and more in the Capital Region and beyond |
Bleser named chair of the Schenectady County chamber board
February 21, 2012 at 2:00 pm by Larry Rulison
Proctors: “RENDEZ-VOUS WITH FRENCH CINEMA” Awaits Sophisticates
FOR IMMEDIATE RELEASE
PROCTORS JOINS
Film Society of Lincoln Center, Unifrance Films
& Emerging Pictures
in presenting
“RENDEZ-VOUS WITH FRENCH CINEMA”
7 French films will screen in the GE Theatre at Proctors
and 50 other US cities during March
Schenectady, NY – February 21, 2012 --PROCTORS arts and entertainment complex will join The Film Society of Lincoln Center, Unifrance Films and Emerging Pictures in presenting during March the 17th edition of RENDEZ-VOUS WITH FRENCH CINEMA, the celebrated annual showcase of the best in contemporary French film.
In New York State’s Capital Region, audiences will be able to see the films between March 5 – March 14, 2012 at Proctors, 432 State Street in the heart of Downtown Schenectady,
This year marks the first collaboration with Emerging Pictures and the RENDEZ-VOUS WITH FRENCH CINEMA series, and the first time that audiences in cities across the country will have the opportunity to see these films in local theaters via Emerging Pictures’s digital delivery technology. Emerging Pictures is the largest all-digital specialty film and alternate content theater network in the U.S., delivering independent films, cultural programs and special events to 300 American and Canadian venues.
Via the Emerging Pictures technology, audiences in select cities will also be able to participate in live interactive Q & A sessions with directors and actors from the RENDEZ-VOUS WITH FRENCH CINEMA films. The Q & A sessions will be “broadcast” live to participating theaters from New York’s Film Society of Lincoln Center Walter Reade Theater and the Brooklyn Academy of Music’s BAMcinématek theater.
At Proctors, the RENDEZ-VOUS WITH FRENCH CINEMA series offerings will be shown as follows:
March 5 & 7
PATER
Directed by Alain Cavalier
Starring Vincent Lindon and Alain Cavalier
France – 2011
Running time: 105 min.
Synopsis: France’s most unpredictable filmmaker, Alain Cavalier, teams up with actor Vincent Lindon for a witty, semi-improvised look at men, power and politics, starring Cavalier himself as a fictional French President and Lindon as his newly appointed Prime Minister.
March 5 - 6
17 GIRLS (17 FILLES)
Directed by Delphine Coulin and Muriel Coulin
France – 2011
Running time: 90 min.
Based on a headline-grabbing incident in the U.S., sisters Delphine and Muriel Coulin’s provocative debut feature follows the fallout in a sleepy French coastal town when a group of teenage girls all decide to become pregnant at the same time.
March 6 - 7
MOON CHILD (LA PERMISSION DE MINUIT)
Directed by: Crystel Fournier
Starring Vincent Lindon, Emmanuelle Devos, Quentin Challal.
France – 2011
Running time: 110 min.
Romain is a "moon child," afflicted since birth by a rare genetic deficiency that makes him unable to stand exposure to daylight. Since infancy he has been cared for by David, a consultant dermatologist who is fascinated with his case and with whom he has developed an unusually close relationship. Now David has to leave, and doesn't know how to tell Romain. The day of the separation draws near... a new ordeal for them both.
March 5 – 6
THE SCREEN ILLUSION (L’ILLUSION COMIQUE)
Directed by and starring: Mathieu Amalric
France – 2011
Running time: 77 min.
Commissioned by La Comédie-Française, actor-director Mathieu Amalric’s wildly inventive update of Corneille’s popular 17th century tragicomedy follows a hotel concierge on the trail of a missing young man who seems to have left many a young female heart aflutter.
March 7 & 12
THE LAST SCREENING (LA DERNIÈRE SÉANCE)
Directed by: Laurent Achard
Starring Pascal Cervo, Charlotte van Kemmel, Karole Rocher, Brigitte Sy
France – 2011
Running time: 81 min.
CINEMA PARADISO meets PSYCHO in a provocative genre film about the dutiful manager/projectionist of a repertory cinema in the French provinces...and the many secrets he holds.
March 12 & 14
SMUGGLERS’ SONGS (LES CHANTS DE MANDRIN)
Directed by: Rabah Ameur-ZaÏmeche
France – 2011
Running time: 97 min.
The 18th century folk hero and bandit Louis Mandrin is the inspiration for this strikingly relevant period tale, tracing the efforts of Mandrin’s followers to distribute his songs and stories in the build-up to the French Revolution.
March 12 & 14
THE WELL-DIGGER’S DAUGHTER (LA FILLE DU PUISATIER)
Directed by: Daniel Auteuil
Starring: Daniel Auteuil, Jane-Pierre Daroussin, Sabine Azema, Kad Merad
France – 2011
Running time: 107 min.
Daniel Auteuil, veteran of Marcel Pagnol adaptations JEAN DE FLORETTE and MANON DES SOURCES, returns to Pagnol for his first work as a director, telling moving story of a hardscrabble well digger, his eldest daughter and her passion for the son of a local shopkeeper.
RENDEZ-VOUS WITH FRENCH CINEMAat Proctors is sponsored by GE and B95.5fm.
Media Representatives: Please Note
Press releases, press kits, trailers and hi-res images may be downloaded from: www.rendezvouswithfrenchcinema.com
For ticket information, visit Proctors.org, or Call Proctors Box Office at (518) 346-6204.
About EMERGING PICTURES: Emerging Pictures, managed by Barry Rebo and Ira Deutchman, is the largest all-digital Specialty Film and Alternate Content network of theaters in the United States, as well as a growing presence abroad. The company delivers independent films, cultural programs and special events to a network of nearly 300 American and Canadian venues encompassing traditional art houses, museums and performing arts centers as well as commercial multiplexes including Marcus Theatres, Carmike Cinemas, Harkins Theatres, Allen Theatres, Laemmle Theaters, BIG Cinemas and others. The company also distributes LIVE HD simulcasts and captured live performances of the world’s foremost ballet companies and opera houses under its Ballet in Cinema and Opera in Cinema brands worldwide. For more information, visit: www.emergingpictures.com
For more information on the RENDEZ-VOUS WITH FRENCH CINEMA at Proctors, contact: Robert Warlock, Proctors Film Program Coordinator, 518-382-3884 ext. 128.
proctors.org – the best source for proctors movie information.
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Regional Premiere: BLACK PEARL SINGS! at CapRep
Regional Premiere
Preview Performances: March 9- March 13
Black Pearl Sings!
by Frank Higgins
Tuesday, March 13 - Saturday, April 7
"...good music knows no prejudice and requires little translation" -- Jerome Langston, VEER magazine
Albany, NY – February 20, 2012– The gusty March winds and anticipated flowering of Spring will be accompanied this year by the soulful refrains of folk songs and slave spirituals at Albany’s Capital Repertory Theatre as playwright Frank Higgins' BLACK PEARL SINGS! holds full sway over audiences from Friday, March 9 and until April 7.
Those with a love for Capital Rep’s signature Seriously Good Theatre series won’t want to miss this uplifting dramatic tale of two very different women -- each on her own journey toward happiness -- and the friendship that unites and guides them.
Capital Rep’s Producing Artistic Director Maggie Mancinelli-Cahill is quick to share her excitement about BLACK PEARL SINGS! "I like this play; it is so engaging even as it sheds light on a little-known aspect of American history through this dramatic story of two women who help and bolster one another through their shared pursuit of music.
"During the Great Depression, the WPA created jobs for artists and teachers who went out and collected the music of America. Song catchers were charged to go deep into pockets of the country dragging unwieldy recorders up mountainsides, down valleys and behind prison walls in the pursuit of ‘American’ song. Ironically, by putting artists to work, the Depression gave us the greatest legacy of the arts in our history. The government was interested in creating jobs, not in art for art's sake -- but the result was the written acknowledgment of many of the ethnic influences that make up American music.
Intelligent, Riveting Theatre
BLACK PEARL SINGS! is a story that sweeps audiences into its unfolding until its final lines.
Imprisoned for murder, Alberta "Pearl" Johnson is the living storehouse of songs passed down from her African-American ancestors. When Library of Congress song collector Susannah Mullally finds her, Pearl must decide whether to entrust the woman not only with the songs of her ancestors, but with her only chance at freedom. The women's stirring a capella songs touch the soul, as will the story of two strangers united by a common love.
Jannie Jones, who delighted audiences in Capital Rep’s production of Crowns last season is featured in the role of Pearl. Last on the Capital Rep Boards for Boston Marriage, Jessica Wortham will perform the role of Susannah.
"It's wonderful to have both actresses in BLACK PEARL SINGS! back at Capital Rep, said Ms. Maggie Mancinelli-Cahill: “Jessica Wortham was so memorable in Boston Marriage and Jannie Jones brought the house down every night in Crowns with her rendition of Eye of the Sparrow. It’s what she does: sings her heart out.”
The unfolding story Includes renditions of old field songs, early blues, spirituals and gutbucket blues. These vocal artifacts remind us that music has the power to help heal in the struggle between out collective past and our desire for individual histories.
Songs include "This Little Light of Mine," "Kum Ba Yah," "Little Sally Walker" and more, most performed in their original folk versions. At one point in the show, the audience is invited to sing along.
Playwright Higgins emphasizes that BLACK PEARL SINGS!is very much "a play with music," not a musical. In fact, the songs are performed without accompaniment. The only musical instrument, other than the human voice, is an autoharp.
About the Playwright
Frank Higgins is the author of The Sweet By ‘n’ By, which was produced with Blythe Danner and Gwyneth Paltrow. His play BLACK PEARL SINGS! has been one of the most produced plays in the country over the past two seasons, and several scenes from his play Gunplay were read on Capitol Hill prior to Congress’ passage of the “Brady Bill.” Mr. Higgins’ play Miracles has been produced at major regional theatres and was optioned for Broadway, while his musical play WMKS: Where Music Kills Sorrow has also run at major regional theatres. Plays for young audiences includeThe Slave Dancer’s Choice, Anansi the Spider and the Middle Passage, as well as The Country of the Blind, an adaptation of the short story by H.G. Wells. Mr. Higgins teaches at the University of Missouri-Kansas City and is a member of the Dramatists Guild of America.
According to Higgins, “[I] first became interested in the old folk songs and ballads when I traveled through the Appalachian Mountains.
"I've always been fascinated by what is authentic and what isn't. Is there a tendency that many people of all backgrounds have to romanticize their cultural past and the pasts of others? The question of finding the true roots of a culture is a mystery as complicated as any."
Higgins said that Pearl is a fictional character inspired by the real-life story of blues legend Huddie (Lead Belly) Ledbetter. Lead Belly was in prison, too, and became famous when he was discovered and promoted by John and Alan Lomax, father-and-son folk-music collectors.
The main reason Higgins switched genders is because "women are the matriarchs of any culture. They are the ones who sang the songs to the children," he said.
"Women are more likely to carry on the songs of a culture."
Running Time: 2 Hours 15 min
BLACK PEARL SINGS! is a co-production with Virginia Stage Company in Norfolk, VA., Following a run at VSC,the cast and creative team, led by Director Patrick Mullins, will travel to Albany and produce the show from March 9 to April 7, 2012.
BLACK PEARL SINGS! received its first workshop production at the Barter Theatre in Abingdon, VA in 2006 prior to its 2007 premiere in Houston. It has become a favorite at theaters around the country, including Ford's Theatre in Washington, D.C.
Capital Rep Special Events for BLACK PEARL SINGS!
Opening Night: Tuesday, March 13th
• Pre-Show- Live Music entertainment with special guest and area gospel singer, Ms. Shereen Moore
• Post Show Reception- Dessert and Champagne Toast - Following the show in the café, join us for an introduction by Capital Repertory Producing Artistic Director, Maggie Mancinelli-Cahill of the cast and company.
Chef's Table Night hosted by 677 Prime - Tuesday, March 20th one of the most popular nights at Capital Repertory Theatre, where downtown Albany restaurants provide a marvelous spread of their cuisine. This night also provides live music entertainment with a pre-show live performance in the lobby.
Discussion Nights- Wednesday, March 21 and Wednesday, March 28 a post-show discussion with the cast.
Behind-The-Scenes with Maggie- Sunday, April 1st, a pre-show discussion with Producing Artistic Director Maggie Mancinelli-Cahill and special guest. Continental breakfast with juice and coffee is provided.
Early Bird Previews- Friday, March 9, Saturday, March 10 and Sunday, March 11 Be among the first to see each play before it is reviewed by the press.
On Sale Now!
Tickets prices to Black Pearl Sings! are:
- WEEKENDS: $20, $40, $50 &, $60
- WEEKDAYS: $20, $30, $40 & $50
- STUDENTS: $16 (WITH ID)
Three ways to buy tickets
1. In person at the Tickets by Proctors Box Office (432 State St., Schenectady, NY 12305)
- Mon – Fri: 10am – 6pm
- Sat – Sun: 10am – 5pm
- Or at the Capital Rep Box Office 2 hours prior to each show
2. On the phone, call Tickets by Proctors (518) 445-SHOW
- Mon – Fri: 10am – 6pm
- Sat – Sun: 10am – 5pm
3. Online at www.capitalrep.org
The Cast
JANNIE JONES (Pearl) appeared in Capital Rep’s production of Crowns last season. She recently received critical acclaim for her performance in Hair Spray as Motomouth at the NC Theatre, Juneteenth Legacy Theatre’s August Wilison’s Women, which garnered her an Audelco Award and for BLACK PEARL SINGS! at San Jose Repertory Company for which she recently won a Bay Area Theatre Critics Award for Best Actress. She has also received critical acclaim for her role of Sylvia in the National Broadway tour of All Shook Up. Her Broadway and off Broadway credits include The Full Monty, Mama I Want To Sing and Faith’s Journey.
Other credits include Don’t Bother Me, I Can’t Cope (NC Black Rep), Crowns (Cincinnati Playhouse & Repertory Theatre of St. Louis) Grafton City Blues (Milwaukee Rep) Beehive (Arkansas Rep), Hair (as Dionne), Steppin’ Out (music of Irving Berline), Too Darn Hot (music of Cole Porter), All Night Strut, It Ain’t Nothin’ But the Blues and Motown Cabaret (Florida Studio Theatre) and Ain’t Misbehavin (The Riverside Theatre). Jannie has toured nationally and internationally to more than 23 countries.
Her television credits includes daytime soaps operas: All My Children and The Guiding Light, Sitcoms: Martin & Sinbad and commercials and print modeling. She has performed the concert version of Kiss Me Kate with the Staten Island Philharmonic Orchestra and in concert at Carnegie Hall, Radio City Music Hall and Madison Square Garden with famed Spanish legend Raphael. She can be heard on Teddy Pendergras’ lastest release, Say It and on the last hit CD of the late, great Barry White in Practice What You Preach.
JESSICA WORTHAM(Susannah) is thrilled to be making her Capital Repertory Theatre debut. Regional Theatre credits include Black Pearl Sings! at San Jose Repertory Theater (Bay Area Theatre Critics Circle Award); David Mamet’s Boston Marriage at Capital Repertory Theater; The Ruby Sunrise, Merry Wives of Windsor and A Christmas Carol at Trinity Repertory Company; Crime and Punishment, Twelfth Night, A Christmas Story, Dracula, and the Humana Festival premieres of The Ruby Sunrise, No. 11 (Blue and White) and Back Story, all for Actors Theatre of Louisville.
Her New York theatre credits include Green Girl and On The Threshold at the Public Theater; Bone Portraits at Soho Rep/Walkerspace. Internationally, she has appeared in Cat on a Hot Tin Roof at the English Theatre Frankfurt and Crimes of the Heart at Vienna’s English Theatre.
Ms. Wortham holds an MFA from Brown University and is a proud graduate of Centre College.
ABOUT CAPITAL REP
Capital Repertory Theatre has a rich, local history of excellent entertainment and strong community relationships. Established in 1981, it came into existence through the dedication and perseverance of a group of Albany business, community and civic leaders. Donated labor, materials and expertise transformed the Grand Cash Market, an abandoned supermarket at 111 North Pearl Street, into what was to become the home of Albany's first professional resident theatre.
Outreach was made to The League of Theatre Artists, a group of diverse actors, directors and playwrights, who spent summers at Art Awareness in Lexington, New York. Working together, these artists, community leaders and an army of volunteers founded Capital Repertory Company. This initial investment of time and resources created what is now the highly acclaimed, award-winning Capital Repertory Theatre with an annual operating budget of $2.3 million, and a history of producing more than 5,000 performances employing more than 1,500 professional artists.
In the past 30 years, the facility on North Pearl Street has been renovated several times, and now includes a 286-seat theatre, a café space, a costume-making shop, and a rehearsal hall. In addition to returning more than 83% of its operating budget directly back to the local community, Capital Rep brings vitality and commerce to downtown in the form of more than 75,000 diners, shoppers, and tourists, serving as an economic engine in the entertainment district on North Pearl Street.
At the core of Capital Repertory Theatre's mission is "to create meaningful theatre with an authentic connection to the community we serve" in pursuit of these goals:
- to provide significant, high-quality theatre for all people of the Capital Region,
- to ensure that every student in the 14-county Capital Region experiences live theatre before high school graduation,
- to take a leadership role in defining New York's Upper Hudson-Mohawk Valley as a cultural destination point, and
- to make Capital Repertory Theatre synonymous with quality in every aspect of the organization: actors, productions, education programs, customer service, and civic leadership.
In all programs and services, Capital Repertory Theatre reflects its mission by embracing its community as a source of inspiration. Capital Rep embraces cast, crew and audiences from every background to expand the horizons of thought and understanding of the human condition through the power of theatre.
Capital Repertory Theatre is a professional, not-for-profit cultural organization, and the only member of the League of Resident Theatres (LORT) within fourteen counties of the Upper Hudson-Mohawk ValleyAs a proud member of LORT, an esteemed organization that promotes the positive impact of theatres in the arts and communities nationwide, Capital Rep is able to create excellent opportunities for both up-and-coming and seasoned theatre professionals. Today, these affiliated theatres provide artists with a support system for developing new work, as well as reviving classics and perennial favorites. LORT members strive to provide hundreds of thousands of people with the opportunity to experience the highest caliber of performance right in their own communities. For more information about LORT, please visit http://www.lort.org/.
NYSCA Support
Capital Repertory Theatre receives general support from the New York State Council on the Arts (NYSCA), celebrating 50 years of building strong, creative communities in New York State's 62 counties.
- BLACK PEARL SINGS, indeed-
BLAST! comes blasting into region
Stomp and Blast come stomping and blasting into region
By Steve Barnes
Audiences seeking subtlety and nuance need not visit the Palace or Proctors this weekend.
“Stomp” plays Albany.
“Blast” visits Schenectady.
The name of the former is usually rendered in all capital letters even though it’s not an acronym.
The latter often ends with an exclamation point.
“STOMP.” “Blast!”
Oh, the glorious noises they make.
Read full story and photos: http://blog.timesunion.com/localarts/stomp-and-blast-come-stomping-and-blasting-into-the-region/21720/
:
WEXT's LAURA GLAZER hosts Brooklyn Qawwali Party @ Proctors
WEXT Radio’s LAURA GLAZERto Host
-
Brooklyn Qawwali Party
Saturday, February 18, 7:30 pm
GE Theatre at Proctors
Proctors – Feb. 14, 2012 –Laura Glazer, popular host of WEXT weekly radio show Hello Pretty City on EXT 97.7 will welcome partiers and kick-off Brooklyn Qawwali Party,the second installment of three events in Proctors swinging new-music festival, Party Horns NYC. Glazer is known for her eclectic approach to music, mixing everything from indie pop to gospel every Sunday night, 8-10pm. www.helloprettycity.com
Full of beat, rhythm and good-time fun straight from the NYC music scene, Brooklyn Qawwali Party willpay tribute to one of the world’s greatest vocalists, Nusrat Fateh Ali Khan, reworking his thunderous songs for an eclectic, eleven-piece orchestra.
BQP has five horns, guitar, bass, harmonium, and three percussionists that meld into one buoyant, jazzy rhythm. BQP founder/percussionist Brook Martinez had heard Nusrat’s music on occasion, but it wasn’t until watching his Live at Meany performance that a flame was kindled. While at the World Music Institute he noticed that more Nusrat records sold from their office than any other album.
Having tied together the bonds between faith and devotional-based practices with folk music in his own jazz education, Martinez was taken by the force of Nusrat’s soulful determination. This is the essential quality BQP has sought to transcribe in their own takes of his music, and by the sounds of their live shows and their self-titled debut recording, they are succeeding
Tickets for Brooklyn Qawwali Partyat Proctors are $15 and are available atProctors Box Office, (518) 346-6204 or online at proctors.org.
Discounts on tickets are available for groups of 20 or more. A listing of shows and pricing may be found at proctors.org/group_sales or by contacting Proctors Group Sales at 518-382-3884 ext. 139.
Brooklyn Qawwali Partyat Proctors is made possible with public funds from the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York State's 62 counties.
Free Parking for Brooklyn Qawwali Partyat Proctors is available in the Broadway Garage, courtesy of the Times Union. Go to timesunion.com for news and entertainment.
HERSELF. SHIRLEY MACLAINE! Friday, March 23, 8PM
Friday, March 23, 8:00 pm
The Mainstage at Proctors
End of Performance Q&A
Proctors welcome you to share an evening with one of America's true entertainment icons, Academy Award-winning actress, dancer and author Shirley MacLaine. Ms. MacLaine has captivated live audiences and moviegoers for five decades and she’s sure to do the same on Friday, March 23 on the Mainstage at Proctors.
In this frank and provocative evening, Ms. MacLaine combines a montage of memorable film moments with private revelations about her extraordinary life, career, and spiritual journey.
Shirley MacLaine's father, Ira O. Beaty, was a violinist and bandleader before giving both up for a more settled career as a college professor. Her mother, Kathlyn MacLaine Beaty, was a drama coach and former actress. They named her after Shirley Temple. She started dance lessons at the age of two, made her first public performance at four, went to New York at sixteen, and on to super stardom from there. Was it upbringing, genes or karma?
*There will be a Q&A at the end of the show.
Approximate Running Time: 75 − 90 min
Tickets on Sale Now!
Ticket Prices forShirley MacLaineat Proctorsare $20, $40, $50, $55 & $70and available atProctors Box Office, (518) 346-6204 or online at proctors.org.
Significant discounts on tickets are available for groups of 20 or more. A listing of shows and pricing may be found at proctors.org/group_sales or by contacting Proctors Group Sales at 518-382-3884 ext. 139.
Shirley MacLaineat Proctors is sponsored by GEICO.
Shirley MacLaineat Proctorsis made possible with public funds from the New York State Council on the Arts, celebrating 50 years of building strong, creative communities in New York State's 62 counties.
Free Parking forShirley MacLaineat Proctorsis available in the Broadway Garage, courtesy of the Times Union. Go to timesunion.com for news and entertainment.
Related: http://www.biography.com/people/shirley-maclaine-9393367
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SATURDAY: Band adapts sacred Sufi music to Western jazz instruments
Band adapts sacred Sufi music to Western jazz instruments
Thursday, February 16, 2012
By Brian McElhiney (Contact)
Gazette Reporter
Brooklyn Qawwali Party
When: 7:30 p.m. Saturday
Where: Proctors, 432 State St., Schenectady
How Much: $15
More Info: 346-6204, www.proctors.org
“In the beginning I was very nervous taking this sacred music and adapting it to people who aren’t in the actual culture, me and my jazz musician friends,” he said recently from his home in Falls Village, Conn.
“We started small in local clubs in Brooklyn, just as an experiment — we wanted to play this music, this beautiful music, but we didn’t want to offend anyone. If I had received letters saying, ‘Man, you guys can’t be doing this; it’s really disrespectful,’ we would have stopped.”
Instead, the opposite happened, as Brooklyn’s South Asian community ended up embracing the group’s unique take on the songs. The band has been branching out of Brooklyn, where Martinez first formed the group — on Friday night the band performs at Helsinki Hudson, and then heads to Proctors on Saturday night for the latest installment of the NYC Party Horns series.
Read full story:
http://www.dailygazette.com/news/2012/feb/16/0216_partyhorns/







